When 'SNL' is on point, there are few live, late night variety shows that skewer American politics so well (but then again, it really does have that category all to itself). There was no way the show was going to miss an opportunity to make fun of the recent government shutdown and there was no way they weren't going to use guest host Miley Cyrus to help do it. The result? A truly bizarre and inspired parody of the music video for Cyrus' "We Don't Stop," which puts Michele Bachmann and John Boehner front and center. Naturally, the new song is called "We Did Stop."
There are few 'SNL' sketches as reliably funny as fake screen tests, which give the cast the opportunity to show off their best and craziest celebrity impersonations. It felt especially important in the most recent Miley Cyrus-hosted episode of the show -- with so many of the big names gone, this was a chance for the lesser known cast members to step up to the plate. And you know what? They did. Mostly.
Now that Bill Hader and Stefon have departed the show, we find ourselves treasuring every other recurring 'SNL' character and treating every appearance as if it's their last. That's just a long-winded way of saying "Welcome back, Drunk Uncle!" Bobby Moynihan's rambling, all-too honest (and all-too real) character once again graced the Weekend Update desk with his presence, updating us with his thoughts on current events and introducing us to a member of his extended family.
'SNL' is nothing if not timely. With the Tina Fey-hosted season premiere airing less than a day before the final episode of AMC's 'Breaking Bad,' it was only natural that they'd put together a meth-themed sketch. And since this is the world's most famous comedy and variety show, someone was able to pull the right strings and snag Jesse Pinkman himself -- Aaron Paul -- to make an appearance.
'SNL' has never been shy about taking on some of the most popular and controversial topics in the modern world, so it's about time it finally got around to making fun of HBO's divisive 'Girls.' In a fake promo for a new season of Lena Dunham's acclaimed show, guest host Tina Fey and the rest of the cast propose some changes to the program's dynamic that we can't help but wish would actually come to pass.
September may traditionally be a wasteland of half-baked films unfit to open in a proper month, but the lack of competition can actually be a good thing. Could 'Prisoners,' a film made specifically for an adult audience, have opened as well as it did if it was released in a busier month? Probably not.
Dangerous car chases through heavily populated urban environments has always been a cornerstone of the wonderfully ludicrous 'Fast and Furious' series and the latest film is certainly not going to be an exception. Filming is currently underway on 'Fast and Furious 7' and the production is looking for some fans to fill out some key scenes.
James Wan has done it again. For the second time this year, a horror film that he's directed has opened to over $40 million, securing his position as the reigning king of mainstream horror cinema. He may be taking a break from the genre to direct 'Fast and Furious 7,' but after the jaw-dropping success of 'The Conjuring' and now 'Insidious Chapter 2,' you just know he'll be back. No one is bringing the audiences in quite like Wan.
Oh, and there were some other movies that made some money, too.
Chris Hemsworth is a busy man. In addition to being the Marvel movie universe's Thor, the Australian actor has been promoting the upcoming Ron Howard drama 'Rush,' which sees him stepping into the role of Formula One racer James Hunt. However, no interview with Mr. Hemsworth could be complete without asking him about 'The Avengers: Age of Ultron,' but the God of Thunder himself can't spill any details. After all, he doesn't even have any details to spill. He doesn't even know who Ultron is!
One of the things 'Riddick' has going for it is that it didn't cost too much. So while its opening weekend may be a little less than impressive, it doesn't have that far to go to make a profit. It's little victories like this that make this, one of the slowest most stagnant movie weekends of the year, more palatable.
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